In true ‘90s underground style, Dunye enlisted the photographer Zoe Leonard to develop an archive of your fictional actress and blues singer. The Fae Richards Photo Archive consists of 82 images, and was shown as part of Leonard’s career retrospective at the Whitney Museum of Modern Art in 2018. This spirit of collaboration, and the radical act of writing a Black and queer character into film history, is emblematic of a ‘90s arthouse cinema that wasn’t scared to revolutionize the past in order to create a more possible cinematic future.

Almost 30 years later (with a Broadway adaptation inside the works), “DDLJ” remains an indelible moment in Indian cinema. It told a poignant immigrant story with the message that heritage is not lost even thousands of miles from home, as Raj and Simran honor their families and traditions while pursuing a forbidden love.

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The outdated joke goes that it’s hard for your cannibal to make friends, and Fowl’s bloody smile of the Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the monitor until everyone gets their just desserts: “Consume me.” —DE

23-year-old Aditya Chopra didn’t know his 1995 directorial debut would go down in film history. “Dilwale Dulhania Le Jayenge” — known to fans around the world as “DDLJ” — holds its title as the longest jogging film ever; almost three a long time have passed because it first strike theaters, and it’s still playing in Mumbai.

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He wraps his body around him as he helps him find the hole, running his hands to the boy’s arms and shoulders. Tension builds as they feel their skin graze against 1 another, before the boy’s crotch grows hard with pleasure. The father is quick to help him out with that as well, eager to feel his boy’s hole between his fingers as well.

And yet, given that the number of survivors continues to dwindle and the Holocaust fades ever further into the rear-view (making it that much much easier for online cranks and elected officials alike to fulfill Göth’s dream of turning generations of Jewish history into the stuff of rumor), it has grown simpler to appreciate the upside of Hoberman’s prediction.

If we confess our sins, He's faithful and just and will forgive us our sins and purify us from all unrighteousness.

But when someone else is responsible for building “Mima’s Room,” how does the site’s blog site seem to video sex know more about Mima’s thoughts and anxieties than she does herself? Transformatively adapted from a pulpy novel that experienced much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of the full-on psychic collapse (or two).

Adapted from the László Krasznahorkai novel of the same name and maintaining the book’s dance-encouraged chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of the farming collective in post-communist Hungary, news of which inspires a mystical charismatic vulture of a person named Irimiás — played by composer Mihály Vig — to “return from the lifeless” and prey to the desolation he finds Among the many desperate and easily manipulated townsfolk.

The ’90s began with a revolt against the kind of bland Hollywood top porn product that people might kill to see in theaters today, creaking open a small window of time in which a more commercially practical American independent cinema began seeping into mainstream fare. Young and exciting administrators, many of whom are actually big auteurs and perennial IndieWire favorites, were given the methods to make multiple films — some of them on massive scales.

With his third feature, the young Tarantino proved that he doesn’t need any gimmicks to tell a killer story, turning Elmore Leonard’s “Rum Punch” into a tight thriller anchored by a career-best performance from the legendary Pam Grier. While the film never tries to hide The actual fact that it owes as much to Tarantino’s love for Blaxploitation since it does to his affection for Leonard’s source novel, Grier’s nuanced performance allows her to show off a softer side that went criminally underused during her pimp-killing heyday.

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